The work around the mix, finally sorted.
Recall that doesn't need a recall sheet. Handovers with nothing missing. Approvals your clients can actually take part in. Credits agreed, files delivered to spec, and the invoice paid. DigMusiK handles everything between the session and the release, with the real sound of your gear travelling with the work.
Free plan, no time limit · Mac and Windows · VST3 and AU · Pro Tools (AAX) coming
Settings worked out from the prints, 10 November, 14:32
Re-dial check: back within 0.3 dB of the print
Built for the parts of the job no plugin fixes.
Recall
Your outboard's settings back from the audio itself, not from a photo or a sheet.
- Print Recall: settings worked out from a dry track and its print
- Re-dial checks: which way to turn each knob to get back
- Automatic Recall: every print logged as you make it
- Rack Recall sheets for any unit, any brand
Handover
From tracking to mixing to mastering, every engineer opens exactly what the last one heard.
- Shared sessions: stems and the chains used on them
- Hardware and our plugins open as they were, still adjustable
- Session Check: every stem checked before it's sent
- Mastering packs with the notes and alternates
- Session Vault: sessions that still open in ten years
Approvals
Your client hears the mix, nudges it within your limits and signs it off, all from one link.
- A private link: no account, no software for your client
- Notes at the moment in the song, and a clear sign-off
- Vocal up and down, instrumental and TV mixes from the signed-off mix
- Credits and splits, confirmed by everyone on the song
- Quotes, deposits and full-quality files released on payment
Here's what a project looks like with DigMusiK.
- Tracking
The vocal goes through the studio's opto and plate
DigMusiK sits on the insert. Automatic Recall stamps the song and logs every print, so the settings are never lost. Recall
- Hand-off
The mix engineer opens it the next morning, two hundred miles away
Stems arrive checked, with the chains used on them. The opto and plate open exactly as they were, still adjustable, though the mix engineer owns neither. Handover
- Mix notes
The artist tries "more bass" themselves
One link: they move the controls you allow, leave notes at 1:23 and 2:10, and sign off mix 3. No WhatsApp thread. Approvals
- Credits
Three writers confirm a 33/33/34 split from their phones
The session guitarist and the engineer are credited too, and the ISRC is checked before anyone needs it. Credits and splits
- Mastering and delivery
One pack, then every version checked
The mastering engineer gets the mix, the instrumental and TV versions, the bus chain and every note. Streaming, sync and vinyl versions are measured before they go. Deliverables
- Paid
The balance clears, the files unlock
The quote was agreed at the start and the deposit paid; the full-quality files release the moment the balance is paid. Getting paid
- Five years later
A sync request, and the session still opens
Everything is in the Vault: audio, chains, recall sheets, credits and notes, with what to install to reopen it. Session Vault
Problems every engineer knows.
“What were the settings on that compressor?”
Recall is the main reason people who could afford outboard don't mix with it. DigMusiK works the settings out from the audio: from a dry track and its print, or automatically from every print you make, dated and kept with the song.
“They don't have my plugins.”
Printed stems throw away everything adjustable. A DigMusiK chain opens on the next engineer's computer exactly as you had it: your hardware's sound, at your settings, still adjustable. Nothing to buy, nothing missing.
“This session won't open any more.”
Plugins change, get discontinued or lapse with a licence. Session Vault keeps the stems, chains, settings, credits and notes together, with plugin chains archived so the mix still plays when the plugin has gone.
“The notes came by text, email and a voice memo.”
One private link holds the mix, the moves you allow the client, their notes at the moment in the song, and their sign-off. Fewer revision rounds, and a record of exactly what was approved.
“Can we have the vocal up a dB?” (after mastering)
With the vocal stems alongside, Approvals makes vocal-up, vocal-down, instrumental and TV versions of the signed-off mix in one go, ready for mastering, and Deliverables checks every file against the spec it's going to.
“Who played on it, and who gets paid?”
Credits, splits and the song's codes, captured while everyone's still in the room and confirmed by each person. Quotes with a deposit to start and the full-quality files released when the balance is paid.
The sound travels with the work.
Every other platform moves files around. DigMusiK moves the sound itself: the real hardware you used, at the settings you used, playing on everyone's computer. That's what makes the handover, the client approval and the recall work, and it's why your chains can be shared, given away or sold.
- Hardware captured from the actual unit, with its own controls, measured against it
- Chains of that hardware open in shared sessions and client approvals, for everyone
- 31 DigMusiK plugins, tested against trusted references, free on every plan
- Chains of your own gear for sale, played by buyers inside the chain at your settings
Opened in a shared session by the mix engineer
DigMusiK in a minute: Recall, Handover and Approvals.
Run the studio, and take the rack everywhere.
Bookings with deposits and the agreement sent when you confirm, gear and maintenance, and each booking joined to its sessions and recalls. Capture your outboard once and its sound is in every session you hand on, and in chains and plugins you can sell.
Studio manager
Rooms, rates, deposits, a calendar feed, gear service reminders.
Your rack, captured
Knobs working, measured against the real units.
Sell your sound
Chains and plugins of your own gear. You keep 60%.
Deliverables
Loudness and true peak checked for every spec.
A page of your own, and the people you need.
Every engineer, studio and artist gets a page like their own website: services and terms, work, gear, dates and reviews from finished jobs. Find players, studios and crew by area and free dates, book them on a proper agreement, and sell tickets to the gig, without leaving DigMusiK.
- Your services, prices and revision terms up front
- Bookings with the agreement drawn up for you
- Deposits and balances paid straight to you
- Tickets with QR codes and a door scanner
Start free. Pay for the work you send.
Every DigMusiK plugin is free, and so are your page and messages. Studio (£7.99 a month) and Pro (£29.99 a month) add the tools that run on our servers: Recall, the hardware library, client approvals and shared sessions.